Spotify is an application that enables you to stream tons and tons of music. It\’s a subscription-based service that you need to maintain for you to enjoy their full service. Don\’t get it wrong, Spotify is free to use, but f you want to download and do other stuff with your music aside from shuffle play. As they say, once you go for the paid subscription you can never go back, because you can download tons of music in your app and listen to a ton of music with full control.

If you’re an artist you would want to be on Spotify, simply because it\’s one of the best ways to market your output and be heard. But if you think that just because your music has been in Spotify that many people will listen to you already in your band will become more popular. The fact is, getting your music in Spotify is just another step. Getting people listening to your  music is another thing. You should know that Spotify doesn\’t really promote your music, you have to do the legwork.

So how can your music be heard? So what\’s the point of going into Spotify if they can\’t promote your music? Well… Spotify is a good tool, but you need a 3rd party service that can help you maximize Spotify’s potential. So what’s the service all about? The service is all about giving you Spotify followers. For so long some people think that having followers in Spotify is organic, but it doesn\’t have to be. Some companies figured out how to tweak the system and use it to your advantage.


Why is this important? For most people in order to be successful in Spotify, people have to know you first. That makes sense because how on earth will people searched for you if they don\’t know what you are and what you represent, right? And that takes years and more money to shell out. But you don\’t have to, because there is a way to have more listeners and followers on Spotify without being too costly and too time-consuming.

Is it really necessary? The thing is, if you\’re just new to your music or you\’re a struggling musician, you need more exposure. More exposure means you need to have more people listening to you and that can take years and years of touring and playing. Save yourself that hassle and be smart. Nowadays there are many ways to get exposure without spending millions and doing the time. There are people that went viral overnight and they became famous, there are people that became successful even if they didn\’t have millions worth of ads, how did they do it? Surely luck is also part of it, but most of it is because they played smart and that can be your band as well.

Spotify is a very popular music streaming app. If you’re a musician you would want to be on Spotify because that\’s where listeners are. But if you\’re not really that known to most people, bragging that your band has gotten on Spotify will just be something that you can brag about. Make use of Spotify by hiring a 3rd party company that can offers Spotify promotion to  boost your followers on Spotify and have more reasons to brag why you’re on Spotify.

Logan Sekulow has an early start in the industry. At age 14, he graduated from homeschool and joined Full Sail the same year. At 15, he has completed the Film program. This is the beginning of his career of having a successful video production company. He has much distribution in the millions. He has worked with the family entertainment space. He went on to host, write, and produce television specials from the Walt Disney World Resort. He started as an intern at Nickelodeon Studios Florida and Nickelodeon New York.

His Journey As A Director

Logan Sekulow is the now owner of Laugh-O-Gram studio. He is a successful producer and director. The branding studio ‘Laugh-O-Gram’ helps to create unique content. He produces pieces ranging from educational to entertainment material. The name \”Laugh-O-Gram\” came from Walt Disney as a starter for the animation industry. The company has provided young talent with expensive and up to date technology. This way, the works of Logan Sekulow have the opportunity to work in the movie industry. The Laugh-O-Gram Studios was later re-launched under Logan Sekulow’s guidance on 2014.


  • Logan Sekulow\’s media brand creates unique forms of entertainment and educational materials. It is the enhanced brand of the original Laugh-O-Gram Studios dates back to 1921 by Walt Disney. The studio was first founded by Walt Disney, a well-known struggling artist, and animator. It was a breeding ground for the animation industry. In the latter years, a studio is a place for young talent to experiment with the latest technology.
  • In 2014, Logan Sekulow takes part the studio. He is a great filmmaker and broadcaster who worked with the entertainment industry. He became part and have worked with The Walt Disney Co. and Nickelodeon. His first feature film was a biopic on the early life of Walt Disney entitled “As Dreamers Do.” The movie was first released and distributed worldwide by Vision Film. It was then translated into many languages. The film rises in the entertainment industry and is successful worldwide.

Logan Sekulow\’s current release is the documentary “Welcome Home, Dick Van Dyke\”. The film features the life of the Hollywood legend which is under the Laugh-O-Gram brand. The film is touring throughout the world in late 2017 until early 2018. It was about the rare look of Mr. Van Dyke. The story revolves around the return to his hometown of Danville. His tours around the city and his visits that condemned his childhood home for the first time in over 60 years. Hear stories about his youth, Walt Disney, the efforts to save his home and so much more. Van Dyke is 91, but his childlike wonder and charm have not even begun to fade.

In the realm of arts, it is imperative to have two things: Curiosity and Ambition. Loris Gréaud has both, and he lives them up amazingly. His child-like fixation on items and learning drives him to a longing to meld diverse teaches and practices in a way that is portrayed as both cutting edge and idealistic. Exchanging amongst fun-loving nature and earnestness, talk and certainty, Gréaud amusingly proposes a universe of turned around discernments where everything collides with the real world. Directions without a goal, Gréaud\’s work is in a steady change that talks about thoughts and procedures instead of an accomplished frame.

For his first solo display at Galerie Max Hetzler Paris, Loris Gréaud reconfigures the exhibition\’s space as an outline.

The sketch is a critical stage in the advancement of an artistic creation, a figure or a book is the writer attempts to settle the fundamental lines of the work. Sufficient, energetic, uncontrollable, the livelihood of the portray, Loris Gréaud\’s project settle in an unpleasant and uninhibited path, through a couple of motions, the formal and calculated structure of the work. Its basic expectations are in this manner set down. All things considered, it is a memory, without a moment\’s delay schematic and transient.


Transition, in reality, goes up against a specific measurement here. This microscopic entry, or rather, this persistent forward and backward development, between the program and its direction, is for Gréaud the work\’s actual place. Along these lines, he utilizes the space of Galerie Max Hetzler in Paris as a worldwide scene, a hatchery inside which various recommendations collaborate.

The shapeless course of action of this new group of work will incomprehensibly be the layout for future improvements of \”Ladi Rogeurs\”.

Proposed as a system, the show permits a look at the petrified breath of blasts, the glint of opioid scenes, the stigmata of uncertain spots, the apprehensive tumult of an arborescence-machine whose dialect appears to be difficult to reach or the nearness of a Khöömei ace whose pluralistic voice resounds in echoes with the melody of dead stars.

Ladi Rogeurs, is basically Gréaud\’s first solo show with Galerie Max Hetzler in Paris at the beginning of this present year was envisioned as a three-dimensional depict, including the entire show space. In the soul of the true to life cross-blue rule, the show in Berlin is a continuation of Paris, reconfiguring the exhibition space while drawing from the codes of a still life.

The two solo shows of Loris Gréaud at Galerie Max Hetzler present the last piece of the set of three at first began in 2008 with Cellar Door (2008-2011) and proceeded with The Unplayed Notes (2012-2017).